We came, We Played and Qualified for the Global Qualifiers! Veteran all-rounder Collins Obuya, now into his 20th year of official internationals, top-scored with 44 (35), while Rakep Patel’s 28* (12) provided some late impetus at the death.įor Uganda, their own veteran, off-spinner Frank Nsubuga (24 years into his international career, having made his debut for East and Central Africa at the 1997 ICC Trophy) was at his miserly best with 2/7 in 4 overs. Opting to bat at the toss, Kenya posted a challenging 161/5 in their 20 overs. Getting underway on Wednesday last week, the event started with a thriller between the two frontrunners as Kenya edged out Uganda in their morning game at the IPRC Ground in Kigali. Despite progressing to the global qualifiers in 2019, Nigeria went winless this time as the other three all traded wins. Uganda this week beat East African rivals Kenya to progress to next year’s global qualifiers for the ICC Men’s T20 World Cup in Australia.At the regional final for the African qualification pathway, held in Rwanda from the 17th to the 20th, the East African trio of Uganda, Kenya and Tanzania were joined by West Africans Nigeria. Uganda win ICC Men's T20 World Cup Africa Qualifier A total of 484 Students and 26 teachers were involved from both schools during the program. These two schools (Merak Primary School & Sakteng Lower Secondary School) are some of the few remotest schools in Bhutan where such kind of programs are not conducted.Īfter the program, each participant was given a plastic bat and ball which was sponsored by UNICEF Bhutan. The program was unique as it takes three days of traveling by road from the capital city of Thimphu to reach both schools. The ICC criiio cricket program helped take cricket to Merak and Sakteng and was led by officials from head office and coaches from other districts.
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But really this is an album that (once again) quietly demands to be heard, and enjoyed, as an inseparable whole. After the Eclipse, with its gorgeous-sounding invitation to “come out into the sun”, is lifted by Sarah Field’s clarinet flourishes Is It a Bird is a masterclass in minimalist restraint. With the exception of impassioned closer What Am I Without You, there is nothing on Flying Dream 1 that leaps out at the listener instead these songs represent subtle gradations of softly articulated warmth and empathy. The result feels like a logical progression from 2019’s Giants of All Sizes, an album that was at odds with the prevailing, Spotify-friendly currents one that asked listeners to approach it as a single suite of songs.Ī sense of space permeates throughout here, the band’s long-established love of prog evident in the gently meandering, loose-limbed arrangements, recalling at times a more earthbound Laughing Stock-era Talk Talk. By the time the series finale arrived, most characters got just what they initially desired. W hen the pandemic hit and Brighton’s Theatre Royal stood empty for months, Elbow were able to use its atmospheric surroundings to record their ninth album, having started writing the songs individually in their home studios during the first lockdown. That 70s Show: 10 Things The Characters Wanted In Season 1 That Came True By The Finale. Two lines… the past and present run together. She finds kids who are more western than her. “I sadly abandoned the original idea and hit on another idea of a British documentary filmmaker coming to India to make a film on the Indian armed revolution. This, says Rakeysh, was when Rang De Basanti born. He insisted, reminded me of the passion that Manoj Kumar’s films used to incite. I told my writer Kamlesh Pandey there was no point in making a film about the freedom fighters. Not too many kids knew who Chandrashekhar Azad was. Pagdi sambhal jatta was no more relevant. And I didn’t even know how to get on the internet! Anyway, we then moved into surveying them about the country and the tri-colour. The youngsters we spoke to were driven by ambition. Our survey showed that for our generation a relationship meant, ‘Let’s get married and make babies together.’ Not to this generation. I took a new story idea to youngsters between 17 and 23. I moved on….I did a focus group in Delhi and Mumbai. Attention was diverted by who would get into theatres first. Then I realized we were all insulting his memory. Recalls Rakeysh, “Initially I wanted to enter the race. Several of Bhagat Singh bio-pics hit theatres one after another. Then the race for Bhagat Singh films started. Initially Rakeysh wanted to make a film on the life of Bhagat Singh. I wanted to call it The Young Guns Of India.” What I didn’t want to do was to shoot them with halos ….I wanted to shoot them as normal youngsters. Then I wanted to make a film on the life of the revolutionaries. I wanted to make it with Abhishek Bachchan. Recalls Rakeysh, “ Awaaz was about a bunch of boys working in a garage, the haves and have-nots. There are shades of Awaaz in Rang De Basanti. Seven years ago even before his first film Aks, Rakeysh wanted to make a film called Awaaz. That was the era I wanted to re-capture in Rang De Basanti.” This was the era when escapism hadn’t seeped into cinema or real life. Ae mere watan, Mere desh ki dharti…We were looking at the idea of our country through a kite….Films like Mother India, Do Bigha Zameen, Naya Daur touched all of us. And the first priority was to bring money back into the family….As kids in Delhi on 15 August when we flew kites, we could hear India Gandhi speaking…On the other side there were the patriotic songs on the loudspeaker…. It didn’t work out because I was from a lower middle-class family. In college in Delhi I was predominantly a sportsman. In school I wanted to join the air force. He says, “It’s a collection of many circumstances. Then there was Aamir Khan's disastrous Mangal Pandey. There were 4-5 Bhagat Singh films that didn’t connect with the audience. Rang De Basanti came when patriotism was passé. In fact he was so over-age for the part that the director had to write in a dialogue explaining why his character DJ chooses to hang on to his campus days long after he has crossed his student days. Looking back at Rang De Basanti, I am struck by how effective the entire cast was, and how miscast Aamir Khan was as the college brat. When it released it became the audiences’ film.” So many people joined me on the journey that was Rang De Basanti. This time I had the luxury of living with my script for four years. You learn from your past mistakes and new experiences. Since Aks, my storytelling technique had improved. But I didn’t consciously choose a subject that would be more accessible to audiences than my first film Aks. Rakeysh was confident of the impact his film would make on the audience. Looking back he says, “ Rang De Basanti is a younger film. I remember speaking to Rakeysh (now a dear afriend) after watching the film. As usual I underestimated the power of the Indian audience to absorb and assimilate unique cinematic experiences. But I also felt, wrongly, that it would be a box office disaster. I knew I was watching a film that would create history. The same actors were also seen in contemporary times grappling with the grammar of socio-political corruption.Īfter watching the film, I was stunned by director Rakeysh Omprakash Mehra’s audacity and creative energy. In the past, Aamir Khan cast as Chandrashekar Azad, Tamil star Siddharth as Bhagat Singh, Atul Kulkarni as Ramprasad Bismil, Kunal Kapoor as Ashfaqullah Khan and Sharman Joshi as Rajguru. The story of Rang De Basanti is told in two time zones. The film unfolds through the eyes of a young British documentary maker Sue (Alice Patten) who comes to India to shoot a documentary on the Indian freedom struggle. The film adopted a unique format to tell the story of a freedom that we all have taken for granted. When Rang De Basanti released on 26 January Jan 26, 2006, I remember watching the film with a very fidgety, very confused audience reacting as we all to unfamiliar experiences, with embarrassment and heckling. NET version: Some features may require affordable papers.
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Fan found it impressive how well-designed they were, stating that while they were using the same plants and the same zombies, they were reinventions of the game mechanics. The Puzzle mode had similar origins Vasebreaker and I, Zombie came from single-level minigames, but after playing them to tweak them, he found he was addicted to them. Afterward, he was looking for something to do, and began work on minigame ideas. The developers focused on the Adventure mode for the first year of development, but programmer Tod Semple finished his development tasks ahead of schedule. Fan's favorite zombie was the Pole Vaulting Zombie, due to the hilarity involved when a player encounters it for the first time, using a specific example where a player tries to block it with the Wall-Nut, only to have the zombie jump over it. The team wanted to bring back the aliens from Insaniquarium, but in the end were changed to zombies, which players could react to more easily because of how slowly they moved. This was the inspiration for the Potato Mine Fan stated that it was satisfying to watch a zombie step on the mine, being defeated and covered in mashed potatoes. Zombies' mechanics came from the film Swiss Family Robinson, especially where the family defends themselves against pirates. One of the critical changes to the game was the lowering of the price of Sunflowers from 100 to 50 suns, as those new to the genre would spend their sun power on pea shooters and inevitably lose. It was originally called Weedlings, but this concept was scrapped after the developers realized that there were too many plant-growing games on the market. Zombies was originally much like Insaniquarium in that it involved nurturing the plants by watering them and growing grass, but the developers found it to be tedious. Zombies through an internal forum where they gave feedback. Various members of PopCap Games contributed to the development of Plants vs. Zombies besides Warcraft III and Insaniquarium was Tapper, crediting the use of five lanes to this game. That inspired him to include the seed packets as opposed to using a conveyor belt that produced randomly selected plants, due to the complexity of this system. Fan included elements from the trading card game Magic: The Gathering while teaching his girlfriend Laura Shigihara how to play it, showing her how to customize their decks. Zombies, and he found common tower defense game play elements such as mazing and juggling to be too awkward, causing him to use the five and six lane set-ups that were used in the final version. He wanted to bring something new to the genre with Plants vs. While he was looking at the towers in Warcraft III, he felt that plants would make good towers. He was inspired to make it a tower defense game after both thinking of a more defense-oriented version of a previous title of his, Insaniquarium, and playing some Warcraft III tower defense mods. Strong strategic elements were included to appeal to more experienced gamers, while keeping it simple to appeal to casual gamers, without many tutorials. Zombies director George Fan intended on balancing the game between a "gritty" game and a "sickeningly cute" game. The following section was copied from Wikipedia. The PlayStation Network and Xbox Live Arcade version includes 5 Multi-Player Modes, co-operative, and competitive, more mini-games and a virtual house. Zombies includes a variety of Game Modes, such as Single-Player, Multi-Player, Adventure Mode (Story mode), Survival Mode, a Zen Garden, a Puzzle Mode, and a Variety of Zombie-Themed Minigames of other PopCap Games like Bejeweled. It informs and outrages us without resorting to Michael Moore-style haranguing, and if it can just find a mass audience, could finally inspire some change. Though occasionally scrappy and arguably over-long, this is the best film yet to tackle the biggest financial disaster since 1929. Based on Michael Lewis nonfiction best-seller, this postmortem on the 2008. But compared to the reckless, grasping men who wrecked all our finances, they seem paragons of honour and probity - especially when their brilliant schemes become weights around their necks as the system stumbles on. The Big Short will give you a headache, but in the best possible way. There’s an obvious limitation in the fact that the film’s protagonists are part of the system even as they see the crash coming, their aim is to cash in rather than prevent it. McKay also never loses sight of the fact that financiers are socially maladroit nerds who only think they’re masters of the universe, “like someone burst a piñata full of white guys who are bad at golf”, as one character puts it. It still can’t make everything simple - these financial models were designed to be impenetrable - but the tongue-in-cheek approach offers a strong beginner’s guide. Margot Robbie, in a bubble bath, explains derivatives, while Anthony Bourdain cooks up a storm that parallels the bankers cooking the books. To dissect the more technical aspects of the crash, McKay cuts to silly little skits with yet more big names. This is the best film yet to tackle the biggest financial disaster since 1929.
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